A local conversation about data centers becomes a larger story about public participation—and who gets a voice in the future of a community.
Kerwin Olson joins Tommy J. Housman to examine the infrastructure, public costs, and unanswered questions behind Indiana’s data center rush.
Tommy J. Housman reflects on the lived experience behind the film, the classroom that made it possible, and the possibilities of working with less.
Chase Savage and Tommy J. Housman return to the purpose behind the film as a semester of work approaches its final release.
Kate Ridgeway moves between sound and video, discovering how the smallest technical details make a film’s world feel real.
Jon Robertson explores the craft of film sound: the technical precision, collaboration, and almost invisible details that shape what an audience feels.
Rawlston Morton reflects on leadership behind the camera—and the work of keeping people, departments, and a production moving together.
A real experience becomes a short film, a collaborative classroom, and a model for what students can create in a single semester.
Elijah Hamilton and Kennedy Kain bring humor, first-time performances, and a view of the work happening beyond the frame.
Daphne Wheeler and Alijah Roberson explore the transition from stage to screen, the freedom of improvisation, and finding a believable family.
